Solo Ringing
Session 3 of 4: Blocking Traveling Four-in-Hand
Sunday, January 30, 2022 • 4:30 PM EST
Instructor: Linda Krantz
This class will focus on blocking or “choreography for T4H.” This is the “how” of utilizing T4H to solve the puzzle of “how can I ring this piece of music?”
This Course is meant to be taken in conjunction with Solo Class 1 and has prerequisites: A basic understanding of traveling four-in-hand.
00:10:53 Ruth Marquette: Hello!
00:12:37 Oma: What area sponsors this wonderful workshop?
00:13:14 Diane Barnes: It is National sponsoring this event
00:15:06 Oma: yea!
00:28:46 Eileen Raycroft: Cb
00:28:55 Eileen Raycroft: There’s a c and a cb
00:41:03 diane: I have played it. It is a beautiful arrangement
00:50:06 Oma: camera worked well.
00:51:15 Gillian Erlenborn: Chris, if you are speaking, we can’t hear you. It does show you as unmuted, so there may be an issue with your microphone.
00:51:42 Chris: Sorry, must not have my mic on. Do you have any excercises for the passing of bells from 1st to 2nd positions or swapping to another pairing?
00:52:23 Gillian Erlenborn: We’ll ask Linda this after she’s done here. 🙂
00:56:32 Chris: ok, thanks.
00:58:04 Erin Gerecke: I’m attacking Compassion right now… ????
01:00:48 Oma: Only for the quick picups and put downs.
01:01:30 Chris: I did Jason’s King of Love last fall and it made me want to learn how to do traveling four in hand better.
01:02:32 Chris: I can see this application for a full handbell choir as well, mostly for incidentals.
01:02:45 Denise Baustian: I haven’t had time to try to incorporate it into my bell solos because I was taught weaving and have used it. I did use it when I was playing in a bell choir. I always had my music marked just where I wanted it. I initialed it on the outside so I would get it the next time.
01:03:02 Eileen Raycroft: Yes Chris, I can see these techniques used even for small ensemble or bell choir!
01:04:43 Eileen Raycroft: Linda, would you say your technique is about economy of motion?
01:05:44 Erin Gerecke: Jason Krug is writing a bunch of new solo music. Many are quite accessible to new soloists. I worked up Coventry really quick for Christmas and tried Lament at home last year and recorded it. That was a fun project.
01:06:02 Chris: I think the nature of solo work has changed, where early on the large movements and weaving from end of the table to the other was the show and now we concentrate more on the melodic quality.
01:07:40 Erin Gerecke: I’m also squeezing everything onto an extra deep 6-ft table, so two rows of bells. Not optimal, but Covid friendly. Ha.
01:11:50 Laura Blauch: Thanks, Linda!